top of page

I, tourist 

This body of works was produced after a field trip with artists to central western Queensland camping on rural properties. The region is part of the Great Artesian Basin, and is heavily reliant on the continuous flow of bore water tapping into the vast bodies of ancient water lying beneath the ground.

Land/floor drawing, clay, pigments, lime, found objects, fencing wire, melted glass, printed digital images, welded steel, cast bronze.

Photos Louis Lim

I, tourist 2017  This installation forms part of a body of works produced after a field trip with artists to central western Queensland camping on rural properties. The region is part of the Great Artesian Basin, and is heavily reliant on the continuous flow of bore water tapping into the vast bodies of ancient water lying beneath the ground.   Land/floor drawing, clay, pigments, lime, found objects, printed digital images, welded steel, cast bronze. Helen Hardess
I, tourist 2017  This installation forms part of a body of works produced after a field trip with artists to central western Queensland camping on rural properties. The region is part of the Great Artesian Basin, and is heavily reliant on the continuous flow of bore water tapping into the vast bodies of ancient water lying beneath the ground.   Land/floor drawing, clay, pigments, lime, found objects, printed digital images, welded steel, cast bronze. Helen Hardess
I, tourist 2017  This installation forms part of a body of works produced after a field trip with artists to central western Queensland camping on rural properties. The region is part of the Great Artesian Basin, and is heavily reliant on the continuous flow of bore water tapping into the vast bodies of ancient water lying beneath the ground.   Land/floor drawing, clay, pigments, lime, found objects, printed digital images, welded steel, cast bronze. Helen Hardess
I, tourist 2017  This installation forms part of a body of works produced after a field trip with artists to central western Queensland camping on rural properties. The region is part of the Great Artesian Basin, and is heavily reliant on the continuous flow of bore water tapping into the vast bodies of ancient water lying beneath the ground.   Land/floor drawing, clay, pigments, lime, found objects, printed digital images, welded steel, cast bronze. Helen Hardess
I, tourist 2017  This installation forms part of a body of works produced after a field trip with artists to central western Queensland camping on rural properties. The region is part of the Great Artesian Basin, and is heavily reliant on the continuous flow of bore water tapping into the vast bodies of ancient water lying beneath the ground.   Land/floor drawing, clay, pigments, lime, found objects, printed digital images, welded steel, cast bronze. Helen Hardess
I, tourist 2017  This installation forms part of a body of works produced after a field trip with artists to central western Queensland camping on rural properties. The region is part of the Great Artesian Basin, and is heavily reliant on the continuous flow of bore water tapping into the vast bodies of ancient water lying beneath the ground.   Land/floor drawing, clay, pigments, lime, found objects, printed digital images, welded steel, cast bronze. Helen Hardess
I, tourist 2017  This installation forms part of a body of works produced after a field trip with artists to central western Queensland camping on rural properties. The region is part of the Great Artesian Basin, and is heavily reliant on the continuous flow of bore water tapping into the vast bodies of ancient water lying beneath the ground.   Land/floor drawing, clay, pigments, lime, found objects, printed digital images, welded steel, cast bronze. Helen Hardess
I, tourist 2017  This installation forms part of a body of works produced after a field trip with artists to central western Queensland camping on rural properties. The region is part of the Great Artesian Basin, and is heavily reliant on the continuous flow of bore water tapping into the vast bodies of ancient water lying beneath the ground.   Land/floor drawing, clay, pigments, lime, found objects, printed digital images, welded steel, cast bronze. Helen Hardess
I, tourist 2017  This installation forms part of a body of works produced after a field trip with artists to central western Queensland camping on rural properties. The region is part of the Great Artesian Basin, and is heavily reliant on the continuous flow of bore water tapping into the vast bodies of ancient water lying beneath the ground.   Land/floor drawing, clay, pigments, lime, found objects, printed digital images, welded steel, cast bronze. Helen Hardess
I, tourist 2017  This installation forms part of a body of works produced after a field trip with artists to central western Queensland camping on rural properties. The region is part of the Great Artesian Basin, and is heavily reliant on the continuous flow of bore water tapping into the vast bodies of ancient water lying beneath the ground.   Land/floor drawing, clay, pigments, lime, found objects, printed digital images, welded steel, cast bronze. Helen Hardess
I, tourist 2017  This installation forms part of a body of works produced after a field trip with artists to central western Queensland camping on rural properties. The region is part of the Great Artesian Basin, and is heavily reliant on the continuous flow of bore water tapping into the vast bodies of ancient water lying beneath the ground.   Land/floor drawing, clay, pigments, lime, found objects, printed digital images, welded steel, cast bronze. Helen Hardess
I, tourist 2017  This installation forms part of a body of works produced after a field trip with artists to central western Queensland camping on rural properties. The region is part of the Great Artesian Basin, and is heavily reliant on the continuous flow of bore water tapping into the vast bodies of ancient water lying beneath the ground.   Land/floor drawing, clay, pigments, lime, found objects, printed digital images, welded steel, cast bronze. Helen Hardess
I, tourist 2017  This installation forms part of a body of works produced after a field trip with artists to central western Queensland camping on rural properties. The region is part of the Great Artesian Basin, and is heavily reliant on the continuous flow of bore water tapping into the vast bodies of ancient water lying beneath the ground.   Land/floor drawing, clay, pigments, lime, found objects, printed digital images, welded steel, cast bronze. Helen Hardess
bottom of page